In this chapter the author talked a lot about how to get a job. He discusses the reason that illustrators are nessisary, to display concepts or events that a camera can not capture, and how to utilize that so you can get employed. In this chapter, the author does not talk about networking, or social media, or how to present your portfolio, he mostly focuses on things that he has done that were effective and odd jobs that he was hired for and how to work for the clients. He talks about finding your nish, the section of illustration that you can do really well so that you can get hired for that. He talks about how you have to be able to communitcate and talk with your clients about the concepts that they want to convey, and work to do what is bet for them, and listen to what they want so you will get rehired.
In this chapter the author also talks about deadlines. He says that the most important part of illlustration is to never miss a deadline. If you do, you will never work for that company or client again. It’s important to meet your deadline or you wont get paid and you wont get hired again. It talked about how there are two different types of deadlines, a deadline, and a drop dead deadline. The second I’d s the final absolute dealing that there is, while a deadline deadline may be more flexible on time if you talk to your client, but they’re still not going to be happy anbout it.
